world music

Read more about the article Article: The Doors of Creativity Shall Never be Barred – The Iconization Process of the Piyyut “Im Nin’alu” in Contemporary Pop Music
Art (music\film\literature etc.) / Critical theory / Identity / Israel / Judaism and Kabbalah / Methodology and models / Popular culture and mass media / Postmodernism / Typology and comparative study

Article: The Doors of Creativity Shall Never be Barred – The Iconization Process of the Piyyut “Im Nin’alu” in Contemporary Pop Music

Yes, the liturgical poem (piyyut) “Im Nin'alu” signifies orientality. But what is Orientality? Is this traditional, perhaps even religious, Yemenite Judaism? Is this Yemen similar to exotic India? Is this a symbol of the mystical/spiritual "other" (as we already mentioned India...)? And maybe it is a symbol of Kabbalah, another contemporary "Other" that turns out to be similar to all the other "Others", including the "Other East"... In this article we follow the change process of “Im Nin'alu” as a symbol, which symbolizes different things each time. The peyote has - it turns out - gone a long way, erasing traditional Yemenite Judaism into the contemporary universal and spiritual-alternative space.

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January 10, 2023
Read more about the article Article: Outdoing Authenticity – Three Postmodern Models of Adapting Folklore Materials in Current Spiritual Music
Art (music\film\literature etc.) / Critical theory / Identity / Israel / Judaism and Kabbalah / Methodology and models / Popular culture and mass media / Postmodernism / Typology and comparative study

Article: Outdoing Authenticity – Three Postmodern Models of Adapting Folklore Materials in Current Spiritual Music

The liturgical poem “Im Nin'alu” got various popular musical adaptations in recent decades. These adaptations raise questions - and provide different answers - regarding authenticity, identity, tradition, and more. Each of them embodies a different way of coping with the postmodern situation. The article presents three different models of relation to traditional materials, which are different ways of dealing with the problems of individuals in relation to these questions.

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January 9, 2023
Read more about the article Lecture: The Oriental as a Spiritual Symbol – The Reification of the Liturgical Poem ‘Im Nin’alu in Contemporary Popular Musical Performances
Art (music\film\literature etc.) / Critical theory / Identity / Israel / Judaism and Kabbalah / Popular culture and mass media / Postmodernism / Typology and comparative study

Lecture: The Oriental as a Spiritual Symbol – The Reification of the Liturgical Poem ‘Im Nin’alu in Contemporary Popular Musical Performances

For the west, the oriental is an object to project upon desires and fantasies. This is similar also in the spiritual context: New Age orientalism molds the "orient" (especially India) in its spirit, as an "Other" significant culture. Kabbalah undergoes a similar process, as an "Other" of the west. This lecture presents the meeting between the "Orient" and Kabbalah in a Yemenite (also "oriental") version - through an inquiry of contemporary performances of the liturgical Poem "Im Nin'alu".

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January 9, 2023
Read more about the article Lecture: The gates of creativity shall never be locked – A comparative study of the spiritual-musical adaptation of the liturgical poem ‘Im Nin’alu’ in contemporary pop-culture
Art (music\film\literature etc.) / Critical theory / Identity / Israel / Judaism and Kabbalah / Popular culture and mass media / Postmodernism / Typology and comparative study

Lecture: The gates of creativity shall never be locked – A comparative study of the spiritual-musical adaptation of the liturgical poem ‘Im Nin’alu’ in contemporary pop-culture

This lecture is part of the research project on the current reincarnation of the liturgical poem 'Im Nin'alu' in contemporary western pop-culture. The lecture deals with issues and challenges of coping in the postmodern situation, and presents three models of contemporary spirituality through the study case that is discussed: a spirituality of return to tradition, a spirituality of yearning to the Other, and a remix-postmodern spirituality. I've co-published an English article on this subject in the journal Folklore. The lecture took place in the 2nd international conference of the center of Yemenite Judaism and its culture, conducted on September 2018, marking 400 years of Shalem Shabbazi's birthday, at Yad Ben Zvi in Jerusalem. A simultaneous translation (Hebrew-English) has been executed in the conference.

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January 3, 2022