Lecture: The Film “Noah” (2014) as an Intersection Between Alternative Spiritualities and Popular Culture

The film Noah (2014) is analyzed in this lecture as a cinematic Midrash, that presents three different contemporary worldviews, and promotes eco-feminist values while criticizing materialism and fundamentalism. The lecture presents central theses formulated in a couple of articles published by Prof. Marianna Ruah-Midbar Shapiro and Dr. Lila Moore as part of this research project.

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Article: The film “Noah” (2014) as an Environmental Cinematic Midrash

The film Noah (2014) is a cinematic Midrash. What does this mean? That it creatively interprates the biblical story of Noah anew, fills in existing gaps in the story, and striving at delivering an ideological message. This article surveys the sources of inspiration integrated in the film - from the sages' midrash to Zen Buddhism stories, and explains the film creators' interpretative choises and their message.

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Article: Worldviews in the Film “Noah” – Hedonism, Fundamentalism, and Ecofeminism

"We broke the world — we did this. Man did this. Everything that was beautiful, everything that was good, we shattered. Now, it begins again." (Noah's words, from the film) In this article we interprate the film Noah (2014), and identify various cultural/ spiritual/ religious worldviews that clash in the contemporary western society: a hedonistic-materialistic approach, religious and enviromental fundamentalism, and eco-feminism. We show how the film maker, Daren Aronofsli, express through the protagonist, Noah, the problematicalness in the various cultural stances, when the plot leads its hero thorugh a transformational process.

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