Panel: Spiritual Leadership in Israel

This panel concluded the 9th Israeli Conference (and the last one - 2018) for the Study of Contemporary Spiritualities. It included four Israeli spiritual teachers who examined contemporary society, in Israel in particular, and its challenges, from the spiritual aspect they are occupied with.

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Lecture: “And the Canaanite was then in the land” – Local Deities from Ba’al to Mother Earth in the Last Century

Two Israeli Pagan movements of the last century have glorified an ancient panteon of god. What is the difference between them? In this lecture we've presented both similarities and differences in the relation to deities in the two movements.

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A Textbook for the Matriculation Exam in Jewish Thought (Atate Schools): “Whom my Soul Loveth” – Love and Romantics in Judaism

This book deals with concepts of love, relationship, jealousy, etc., on its various aspects: marital love, God's love, philosophy - through a selection of sources from all times. The book is intended for the 10th/11th/12th grades in Idraeli state high schools, as part of the Jewish Thought curriculum (in the scope of 1-2 units for the matriculation exams). The book was published on behalf of the Ministry of Education - the Pedagogical Secretariat - the Department for Curriculum Planning and Development, by Ma'alot Publishing House, in 2007. This rich book contains 372 pages, including sources, interpretations, illustrations and suggestions for educational practice. Mariana Ruach-Midbar wrote the main part of the book, and later it was also adapted and edited by Ariel Aviv and Zila Miron-Ilan. In addition, a teacher's guide book has been authored to this book - again first by Marianna Ruah-Midbar, and later with some adaptations and editting by others.

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Essay: From a Hoe to a Hug – A Constitutive Narrative of Zionism and Renewal

"A good story is never just a story. A good story is a founding story; it is a basis for identity, for action; it creates a network of meanings in which we cling to in our lives - as individuals, as a group." With these word the essay opens, dealing with the renewal of cultural values ​​in contemporary Israeli Judaism - the transformation of our national story and our hero/ines. The text (about 500 words, in Hebrew) was incorporated into the "Israeli Talmud - Tractate of Independence", edited by Dov Elbaum, with the support of BINAH. It is included in Unit D of the anthology, entitled "The Israeli Traditionalism in the Present and Its Vision for the Future".

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Lecture: Time Perceptions and Body Images in the Contemporary Spiritual Discourse

Many Cultures share the yearning to a far ideal past - the lost paradise. What is special in the past-time perception of New Age Spirituality, especially in its Jewish/Israeli version? How does this spiritual discourse narrates the Jewish and human history? Answers to these questions were presented in a lecture at the conference of the Israeli Anthropological Association. These theses also appear in studies published by Ruah-Midbar Shapiro.

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Essay: The Never-Ending Story – From the Land of Israel to Mother Earth

"Don't give us the old, but the ancient. And instead of the future, we'll discover the present. Instead of a plow, give us a hug. Let's flow and connect... We'll find our ways and turn back, return to ourselves - dive into the depths of our Selves." In this article, Ruach-Midbar describes the shift in values and narratives that accured in the Jewish-Israeli story within the New Age realm, as a replacement for the Zionist story that was cast in the image of the Enlightenment. The text (about 500 words, in Hebrew) was incorporated into the "Israeli Talmud - Tractate of Independence", edited by Dov Elbaum, with the support of BINAH.

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Essay: A Reckoning of the Soul in an Artistic Style

"God willing - the worldwide contemporary spiritual awakening is finally attacking us too, and the art exhibition in front of us is one of the expressions of that." This quote appears in the main text of the catalog of the art exhibition "Heshon Nefesh", curated by Dafna Naor, and with the participation of 43 artists, presented at HiTouch in Herzliya Pituach in 2009. The text was written by Marianna Ruah-Midbar.

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Article: The Doors of Creativity Shall Never be Barred – The Iconization Process of the Piyyut “Im Nin’alu” in Contemporary Pop Music

Yes, the liturgical poem (piyyut) “Im Nin'alu” signifies orientality. But what is Orientality? Is this traditional, perhaps even religious, Yemenite Judaism? Is this Yemen similar to exotic India? Is this a symbol of the mystical/spiritual "other" (as we already mentioned India...)? And maybe it is a symbol of Kabbalah, another contemporary "Other" that turns out to be similar to all the other "Others", including the "Other East"... In this article we follow the change process of “Im Nin'alu” as a symbol, which symbolizes different things each time. The peyote has - it turns out - gone a long way, erasing traditional Yemenite Judaism into the contemporary universal and spiritual-alternative space.

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Article: Outdoing Authenticity – Three Postmodern Models of Adapting Folklore Materials in Current Spiritual Music

The liturgical poem “Im Nin'alu” got various popular musical adaptations in recent decades. These adaptations raise questions - and provide different answers - regarding authenticity, identity, tradition, and more. Each of them embodies a different way of coping with the postmodern situation. The article presents three different models of relation to traditional materials, which are different ways of dealing with the problems of individuals in relation to these questions.

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Lecture: The Oriental as a Spiritual Symbol – The Reification of the Liturgical Poem ‘Im Nin’alu in Contemporary Popular Musical Performances

For the west, the oriental is an object to project upon desires and fantasies. This is similar also in the spiritual context: New Age orientalism molds the "orient" (especially India) in its spirit, as an "Other" significant culture. Kabbalah undergoes a similar process, as an "Other" of the west. This lecture presents the meeting between the "Orient" and Kabbalah in a Yemenite (also "oriental") version - through an inquiry of contemporary performances of the liturgical Poem "Im Nin'alu".

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