Article: The Doors of Creativity Shall Never be Barred – The Iconization Process of the Piyyut “Im Nin’alu” in Contemporary Pop Music

Yes, the liturgical poem (piyyut) “Im Nin'alu” signifies orientality. But what is Orientality? Is this traditional, perhaps even religious, Yemenite Judaism? Is this Yemen similar to exotic India? Is this a symbol of the mystical/spiritual "other" (as we already mentioned India...)? And maybe it is a symbol of Kabbalah, another contemporary "Other" that turns out to be similar to all the other "Others", including the "Other East"... In this article we follow the change process of “Im Nin'alu” as a symbol, which symbolizes different things each time. The peyote has - it turns out - gone a long way, erasing traditional Yemenite Judaism into the contemporary universal and spiritual-alternative space.

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Lecture: The Oriental as a Spiritual Symbol – The Reification of the Liturgical Poem ‘Im Nin’alu in Contemporary Popular Musical Performances

For the west, the oriental is an object to project upon desires and fantasies. This is similar also in the spiritual context: New Age orientalism molds the "orient" (especially India) in its spirit, as an "Other" significant culture. Kabbalah undergoes a similar process, as an "Other" of the west. This lecture presents the meeting between the "Orient" and Kabbalah in a Yemenite (also "oriental") version - through an inquiry of contemporary performances of the liturgical Poem "Im Nin'alu".

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