Included in this session are four lectures presenting studies of nature and ecology from the angles of philosophy, mysticism and magic. The session was part of the 7th annual conference of the Israeli Association for the Study of Religions (IASR), held at the Open University in Ra'anana, on 10 June, 2024. The annual conference was dedicated to the topic "Religion and Environment".
The relation to nature and the environment in religions is a fascinating subject, and it takes a new and surprising form these days - with the rise of the ecological discourse, and in light of the apocalyptic fears of an imminent ecological disaster. Some of the new religions place a special emphasis on the sanctification of nature (such as neo-shamanism). In the popular spiritual discourse the concept of nature adoration and caring for the environment feature, in the context of spiritual values. In this session, four studies dealing with ecology and nature in contemporary spiritualities are presented.
The deluge myth was used by generations of commentators as a tool for social criticism - it provided them with an opportunity to explain what kind of humanity deserved total annihilation. In recent films, connections are made between the current ecological crisis and the deluge... Are we (yes, we!) this generation that deserves to be destroyed, and why? This lecture presents a comparative study of Hollywood films throughout the last century, all of which have allusions to the biblical flood myth. The focus will be on how the flood becomes a symbol of the worsening ecological crisis nowadays.
The film Noah (2014) is analyzed in this lecture as a cinematic Midrash, that presents three different contemporary worldviews, and promotes eco-feminist values while criticizing materialism and fundamentalism. The lecture presents central theses formulated in a couple of articles published by Prof. Marianna Ruah-Midbar Shapiro and Dr. Lila Moore as part of this research project.
The connection to the land and nature of Israel is at the core of the Zionist ideology, and is closely related to ideological concepts of the conquest of the wilderness, the renewal of Jewish sovereignty, inhabiting the land, continuity of the people of Israel, and more. In alternative spirituality, on the contrary, there is a different ideological array, which also leads to different kind f practices, for example in regards to the relationship with the place/nature, national/personal identity, loyalty to the establishment. Naturally, this leads to conflicts between the bodies of the establishment and those communities. Therefore, it is convenient for such communities to operate in the periphery, such as the Galilee. A three-lecture session organized by Prof. Marianna Ruah-Midbar Shapiro dealt with these issues, in the framework of a conference at Tel Hai College in the spring of 2022.
This midrash (ancient Jewish myth) was woven when I was preparing myself to lead a yarn workshop in the kindergarden of my Daughther, Enigma Dei. I suddenly remembered how the entire creation is woven together... in the wisdom of the spindle (Chokhmat haPelekh).
The film Noah (2014) is a cinematic Midrash. What does this mean? That it creatively interprates the biblical story of Noah anew, fills in existing gaps in the story, and striving at delivering an ideological message. This article surveys the sources of inspiration integrated in the film - from the sages' midrash to Zen Buddhism stories, and explains the film creators' interpretative choises and their message.
Do you know the story of Noah and the deluge? Well, every generation had its interpretations and versions of the story. And when the deluge is retold - they actually talk of a humanity worthy of annihilation. Why? Every commentator has its own explanation, where lies criticism of the society they live in or encounter. The deluge as presented in current cinema isn't the flood as depicted in old traditions, since the story continues to evolve and get renewed. In this comparative study, we've surveyed Hollywood films that present the deluge iver the last century - in each of them the humanity is presented as facing annihilation, while offering an a current critic. Recently, for instance, the deluge myth is linked to the ecological discourse.
"We broke the world — we did this. Man did this. Everything that was beautiful, everything that was good, we shattered. Now, it begins again." (Noah's words, from the film) In this article we interprate the film Noah (2014), and identify various cultural/ spiritual/ religious worldviews that clash in the contemporary western society: a hedonistic-materialistic approach, religious and enviromental fundamentalism, and eco-feminism. We show how the film maker, Daren Aronofsli, express through the protagonist, Noah, the problematicalness in the various cultural stances, when the plot leads its hero thorugh a transformational process.